#Kaleidoscope Illustration Pattern

[kaleidoscopevisualart]

📺 Colorful Kaleidoscope Visual Videos

[kaleidoscopeshortvideos]

Meditation Digital Symmetrical Artwork Project, Kaleidoscope Meditation

[ourstaturestouchtheskies]

Illustration of Daffodils from The Plant and its Ornamental Applications – Eugène Grasset and Emma Hervegh // Daffodil – Florence + the Machine

[emigrafia]

Mosaic of a Flower

[bubblesandstuff]

(via Vibrant warm flora mandala pattern Clock by Remco Kouw)

[kaurwreck]

Chuuya processes his grief in text, and Asagiri + Harukawa have explicitly stated that Chuuya is even keeled, level headed, and relaxed, except when around Dazai, who riles him up; meta which is supported by the context clues in the scenes where we see him in both emergency and non-emergency situations. That he does process grief so well and with such love for those he's lost and those who remain is a comment on irl!Chuuya's grief, and expresses a poignant sentiment considering bsd!Chuuya heals in such ways irl!Chuuya was denied. Even Chuuya's ability being gravity manipulation, over which he has an absurd degree of control and finesse, is, in part, a metaphor for his self possession and the weight he carries but is not made leaden by— indicated both by his character song and by the general use of weight and gravity to illustrate and describe grief irl and in literature.

The version of Chuuya that is repressed, dissociative, in crisis, and who doesn't process his grief or other emotions is fanon. Everyone is entitled to fanon, but there are layers of nuance and commentary that fanon tends to file away.

I enjoy stories because of how they demand my expansion, sometimes forcefully yanking me from my own presumptions and patterns to confront the kaleidoscope of human experience that I could never understand within the boundaries of my own internity. I also read to resonate and connect with others too, of course; but it's both seeing and being seen that matters to me, which is why I'm so insistent about challenging my initial perceptions and encouraging the same in others.

Regarding Chuuya and challenging the manner in which we often project our sentiments on others, from Plato's Phaedo:

Socrates replied with a smile: O Simmias, what are you saying? I am not very likely to persuade other men that I do not regard my present situation as a misfortune, if I cannot even persuade you that I am no worse off now than at any other time in my life. Will you not allow that I have as much of the spirit of prophecy in me as the swans? For they, when they perceive that they must die, having sung all their life long, do then sing more lustily than ever, rejoicing in the thought that they are about to go away to the god whose ministers they are. But men, because they are themselves afraid of death, slanderously affirm of the swans that they sing a lament at the last, not considering that no bird sings when cold, or hungry, or in pain, not even the nightingale, nor the swallow, nor yet the hoopoe; which are said indeed to tune a lay of sorrow, although I do not believe this to be true of them any more than of the swans. But because they are sacred to Apollo, they have the gift of prophecy and anticipate the good things of another world, wherefore they sing and rejoice in that day more than they ever did before. And I too, believing myself to be the consecrated servant of the same god, and the fellow-servant of the swans, and thinking that I have received from my master gifts of prophecy which are not inferior to theirs, would not go out of life less merrily than the swans.

[lychgate]

FIVES ARC LET'S GOOOO

oh MAN i really want to get back to that one, like everyone else I too, have dreams to do big illustrations of all the arcs and I started scribbling this one out a few years ago:

playing with like spiraling and kaleidoscope overlapping imagery of clone baby pods and coruscant senate buildings, a foreground circling of corrie guards, idk i was just playing with patterning still i didnt get far but i hope to return someday, maybe by posting the wip it will kick my butt to do more for it

[mybeingthere]

Snow time; Downhill all the way!

Louis Wain (1860-1939)

"At the turn of the century, Louis Wain became a household name as ‘The Man Who Drew Cats’. His drawings of cats appeared in periodicals and his own annuals and then, increasingly on prints and postcards. While his early work was already distinctive, in a gently humorous way, the onset of schizophrenia gradually transformed his style, making it bright, highly patterned and apparently in keeping with Jazz Age Modernism.

Louis Wain was born in London on 5 August 1860. His father was a textile salesman and his mother designed carpets and church fabrics. A sickly child, he was educated at the Orchard Street Boys and Infant School, South Hackney, and at St Joseph’s Academy, Kennington. He trained at the West London School of Art (1877-80), remaining there as an assistant master until 1882. From his father’s death in 1880, he had to support first his mother and five younger sisters and soon after a sick wife. He supplemented his income by working as a freelance illustrator (initially influenced by Caldecott and May), and in 1882 he joined the staff of the Illustrated Sporting and Dramatic News. He began to make his name with humorous cat drawings, primarily in the Illustrated London News, the staff of which he joined in 1886. He was the first to work consistently within the convention of depicting clothed and standing animals. His anthropomorphic vision of the world soon brought him much fame and as a result he was elected President of the National Cat Club in 1891. However, he was not a good businessman, and in 1907 he may have been sued for debt. In the same year, he moved to the United States to make a new start, producing strip cartoons for the New York American (1907-10). Back in England, he experimented with animation in 1917, in the films, The Golfing Cat and The Hunter and the Dog. After the death of his sister Caroline in the same year, he began to suffer a mental decline, becoming a schizophrenic, as his work clearly revealed. ‘His cats became frenzied and jagged, sometimes disappearing into kaleidoscopic shapes’ (Frances Spalding). When, in 1925, he was found in the paupers’ ward of Middlesex County Asylum, an appeal was launched on his behalf, and he was transferred to a comfortable room with his paints in the Bethlem Royal Hospital, Southwark. The appeal reached twice the target sum in a month, a sign of the public’s continuing affection. He died in the Middlesex County Asylum, Napsbury, near St Albans, on 4 July 1939.

Chris Beetles Gallery

[zorbs]

《XƎTЯOVerthink》 Kaleidoscope Analysis

Remember those funky little toys called kaleidoscopes you used to play with as a kid? The ones you'd twist and look into it to see shifting reflections with pretty colors? Yeah, yeah these guys.

Well I noticed the new Link Click MV heavily incorporates a kaleidoscope as a visual motif. Throughout the MV there’s imagery involving mirrors and rainbows and repeated patterns and rays of light, all qualities of a kaleidoscope.

The most direct references are this frame which illustrates the mirror physics of a kaleidoscope:

And this frame illustrating the repeating patterns displayed within a kaleidoscope:

Seeing all this imagery got me thinking as to why it’s all there. The clock and camera imagery within the show make more obvious sense to their meanings, but kaleidoscopes don’t have anything to do with anything we’ve explicitly seen in the show before. However, after some thinking, I believe the kaleidoscope motif is a lot more relevant than it may seem.

The word “kaleidoscope” itself comes from Greek roots, which translate into “observation of beautiful forms”. To me, this MV seems to be painting Red Eyes as the current observer in control of the kaleidoscope.

The aspect of a kaleidoscope being a toy causes me to think about the line from Vortex, “But Imma win this silly game / until then I will never leave”. During those lyrics is when we see Red Eyes appear.

From what we've seen of the two different Red Eyes (likely siblings/twins), they appear to be children. With that info, it wouldn’t be surprising if the Red Eyes we’ve seen take control of Qiao Ling and Liu Min still views this whole thing as a game (toy), especially after being lured into the “game” set up by CXS and LG. Red Eyes is just playing with power to entertain themself, the same way a child would play with a kaleidoscope for entertainment. 

Additionally, CXS, along with other characters throughout this MV, appears to be trapped in the kaleidoscope with the way the reflected colored light and fractals or glass are displayed around them. It even seems like Qian Jin is trapped, possibly implying he’s a mere pawn in this game as well.

What I find most intriguing though is the fact that the tiniest rotation of a kaleidoscope creates drastic changes regarding what is seen inside the toy. There’s a seemingly infinite display of patterns. This idea parallels the visuals that show multiple (infinite?) versions of CXS. Some of which are dead, others distraught or gravely injured.

I think the kaleidoscope motif is yet another metaphor for time. Those that have the power to control it with slight changes, the unthinkable number of possible outcomes…thinking of it in this way all starts to make sense. The ones trapped in the kaleidoscope are all at the mercy of time and the ones who control it. Thus, this narrative must rely on “the ones aren’t in control”.

Many have already been speculating this, but I’m also getting the sense that there have been multiple timelines that have been manipulated way before the events of Season 1 began. And those events all involved a sort of engineering of CXS’s fate.

Which leads me to…what the heck is Lu Guang hiding??

One of the first visuals we see is LG falling during the line “When I’ve sunken so low”.

This lyrical imagery can be paired with the line “Knowing it all, am I destined to fall / Like once you did for me”. I feel like these are implying LG has had transgressions of his past. He’s undergone mistakes that have caused him to fall. Again, multiple people have raised this point, but there must be a reason LG is so strict about the time travel rules. Is it because he’s learned them first-hand the hard way before? 

What if LG previously manipulated the timelines in order to save CXS over and over again?

Immediately following the “like once you did for me” lyric is a montage of the way LG came into CXS’s life.

This visual and the coupled lyrics add to the idea that LG saved CXS and his past actions led to the moment in time we’re currently watching as an audience.

I also want to point out the line of “Where do we end up when we save the world?”. What if LG already disrupted the timeline enough by saving CXS and has now sworn off any further timeline changes in order to protect the current present, leaving Red Eyes with complete authority over its manipulation. He’s already completed his past objective but is now left dealing with the adverse effects.

Anyways, this is just a theory, a LINK CLICK THEORY.

[rubykgrant]

On the subject of what kinds of tattoos RVB characters might have (or if they wouldn't have tattoos at all)...

Grif; we know he's got a Blade tattoo on his neck (I'm imagining it on the back). He'd probably get a few more, but avoid ones that seem too "typical" (he's mentioned several he would DEFINITELY not care for). He might get some on the Simmons-sides of his arm/leg, for the fun of it. I think on the back of his shoulder, he'd get something that matches with Kai, and when they sit side-by-side, it fits together. You just know he'd get a pizza tattoo somewhere (possible even a pizza with a slice missing on one arm, and then the slice over on the other). If he wanted to be all extra romantic about it, he'd find something with Simmons' signature on it, and get it tattooed on his chest, over where the heart is (this is a game, and he's winning). He also might get a traffic cone~

Simmons; he'd be all afraid to do it, but also REALLY wants to seem cool... if he finally goes for it, he'd get something like Pi or the infinity symbol. He might get a nerdy tattoo on his neck to match Grif (the Robin R, since his name matches Dick Grayson, or the Starfleet insignia, or the little up-link patterns from Ghost in the Shell)

Tucker; listen, he's a pain-baby. In a serious situation, when he has to fight or save somebody, Tucker can handle anything, he'll keep going and push through the pain... but in regular situations? Ow, no hurty! However, he'd get something for Junior (like the shape of his handprint when Junior was still tiny), perhaps on one shoulder blade, and on the other he'd get the Alpha and Epsilon symbols (almost left those unfinished, because HURTY, which would have been ironic, since Church keeps dying... but he finally got it done)

Caboose; had to be talked out of getting a HUGE tattoo that just says "I LOVE CHURCH" on his chest. Instead, he got a pale-blue helmet tattoo on his forearm on one side, and a deeper blue helmet tattoo on the other forearm (his and Church's original one), and when he hugs Church, the helmets overlap~

Sarge; never gave himself any down-time for decades, so no tattoos for a long time... when he finally chills, he would get a few for ODST, the Red Team symbol, and a shotgun slapped on him somewhere... maybe something pretty like a sunset scene on his back (he has a sentimental side for things like that). He'd also get a series of lines, in a stripe pattern, of red-brown-maroon-orange-pink-purple, one his bicep (people who see it ask "what Pride Flag is that?")

Doc; not super interested in tattoos... but he might get something like a moon and sun overlapping, like an eclipse, to be all symbolic for him and O'Malley. If O'Malley convinced him to get more, there would be like, a skull next the peace-sign. Doc's also one of those guys who'd get a motivational quote printed on him somewhere (everybody teases him that it's gonna be "Live Laugh Love", but he's not THAT much of a dork)

Donut; an elaborate tattoo illustration of a ribbon and several flowers, maybe on his thigh above his knee, and curves up around his hip, all very PINK~ Also, something that says "God Can't Kill Me" on his arm

Wash; not especially into tattoos, but he might get something on his neck (not over the scars, but around them), like a couple flowers to represent still being alive/growth. On a dare, he might get like, a small road tattoo (black winding stripe over an arm or leg, with the yellow lines down the middle. because it's his armor... and hahaha, car joke). Although he'd like to get something for all his friends he's lost, it feels weird getting a Project Freelancer tattoo (because the program itself SUCKED), or multiple AI Fragment symbol tattoos (it feels in poor taste, after what happened to Maine and the Meta). He would finally pick something like an intricate kaleidoscope pattern full of multiple colors (for the armor of all the friends he's lost, and all the friends he still has) on a shoulder

Carolina; just don't want any tattoos

Church; same. He doesn't care, he'll be the token plain-vanilla one with no ink

Tex; finally got herself that star on her back~

Kai; she's got a matching one with her bro... and also a lipstick kissy-mark on the little dip under her belly, something like cherries/hearts on her chest, small stylized symbols of different drinks on one arm, a crown and the word "PRINCESS" written in fancy font at the small of her back (it was gonna say "Princess Slut", but she decided to be at least mildly considerate to her bro's sanity, since he'd see it any time she had a swimsuit on. prude), "Fuck The Police" on her arm somewhere, and a rainbow that is a gradient- half colorful, half grayscale

[kaleidoscopevisualart]

📺🎶 Kaleidoscope Visuals with Emotional Acoustic Piano

[jmtolman]

Kaleidoscope Flowers

I wasn't planning on entering this challenge, but I was playing around with geometric patterns in Illustrator and decided to slap the color scheme on one of the designs. I liked it so much that I decided to enter anyways. Sometimes just mucking about with shapes will get you something cool.

You can vote here on Spoonflower. Thank you! 

---

Gumroad | Redbubble | Spoonflower | Patreon | Twitch | Instagram

[primordialsoundmeditation]

As she gazed up at the sky, she saw a multitude of lights: lights of all different sizes, shapes, and patterns, creating a kaleidoscope of colours dancing in the sky, resembling a fireworks display. Some swirled about rapidly and energetically in spirals, while others moved more slowly. While some lights were dim, with a faint outline, others glowed vibrantly, and some were far brighter than others.

"What are these?" she asked curiously.

"These are the souls of those who have passed on from this life, advancing towards heaven. This is not how they truly appear, but how you may see them from this side."

"What makes them different? Why do some appear brighter than others?"

"Their brightness is not a measure of their worth or value, for all souls are considered equally precious, but it represents how much light they were capable of holding onto and radiating in this life."

As she continued to gaze up at each of the lights, once again in awe of those that were most colourful, energetic, and bright, in that moment, she promised to herself that she would strive to live her life in such a way that, no matter how dark her life became, she would be one of the souls that always held onto the light and shone it wherever she went, so that throughout her life and when the time came for her to go, her light would burn brightly. And she would live in such a way that upon her death, she had no regrets, so that she may dance up into the night."

Words by Tahlia Hunter

Artwork by Elaine Bayley Illustrations

Tahlia Hunter

[penhero]

Esterbrook Estie Botanical Gardens - It's Still Summer!

Fall is coming very soon, but summer colors are still with us and the Estie Botanical Gardens pens are perfect for the season.

The high-quality acrylic of the Esterbrook Estie Botanical Gardens celebrates springtime and even summer gardens with a kaleidoscope of floral accents, from greens to blues, deep reds to oranges, all displayed in a crackle-like pattern that intrigues the eye and inspires the imagination.

Botanical Gardens pens are available in both gold and palladium trim. You have the choice of both oversized and regular, as well as your pick of fountain pen, rollerball, or ballpoint.

Oversize fountain pen $225

Standard size fountain pen $175.50

Rollerball pen $166.50

Ballpoint pen $112.50

Check them out by clicking below:

Customers outside the USA can purchase on eBay:

[timesofinnovation]

As the New York Fashion Week (NYFW) commences, excitement and anticipation fill the air within the global fashion community. Starting on September 4, this year's NYFW promises a compelling mix of established fashion giants and emerging talent, with particular emphasis on the ongoing evolution of consumer preferences. At a time when shoppers are increasingly selective about their purchases, the challenge for brands is to provide compelling narratives around their collections. In contrast to the past, which often celebrated showy logos and iconic staples, the current consumer landscape demands substance above style—the need for meaningful, trend-driven pieces that reflect personal style. This shift has left several smaller, niche brands struggling. One notable casualty of this trend is Interior, a brand that announced its closure just last week. Such closures illustrate a larger pattern within the industry, highlighting the fragility of smaller businesses reliant on continuous consumer interest. New York has transitioned into a stark two-tier system within its fashion week calendar. On one hand, we have the well-established players—labels with significant marketing budgets and experience. These heavyweights, including Coach and Tommy Hilfiger, use the platform to launch major global campaigns. Ralph Lauren, for example, plans to present its collection on September 5 in Bridgehampton to target affluent consumers as part of its long-term strategy to enhance brand prestige. The growth of Ralph Lauren’s international market share further underscores the importance of these high-profile marketing showcases. Events like the Olympics or the US Open have uniquely positioned Ralph Lauren to capture the attention of luxury consumers, proving that modern marketing strategies hinge heavily on spectacular moments rather than conventional retail tactics. On the other side of this dynamic, many local brands are simply striving to survive. Many smaller designers are left to navigate through a saturated market, vying for attention against the likes of international labels. This season, expect to see a flurry of European brands, including Alaïa and Off-White, taking part in NYFW as they seek to cement their presence in the competitive American market. Highlighting the continuing blend of expressive styles and diverse price points anticipated in this year’s event, brands such as Nanushka and Ronald Van Der Kemp are set to showcase collections that reflect diverse artistic visions. As the pandemic years continue to influence the fashion calendar, NYFW remains a kaleidoscope of styles, each vying for attention on the runway. One of the most intriguing facets of this year’s fashion week will be how these emerging and established brands perform against each other. While the bigger brands are expected to reap the majority of commercial benefits, the spotlight is expected to shine on those niche creators who may bring fresh perspectives to the table, sparking potential collaborations or alternate trends. The key to success for many of these designers lies in successfully communicating their unique brand narratives. The emotional connection consumers now seek can only be achieved by showcasing strong storytelling, impressive craftsmanship, and innovative designs. As consumers move away from conventional purchasing habits, brands must identify unique selling propositions that resonate deeply with target audiences. Fashion weeks have always served as critical platforms for shaping new trends, and this year is no different. While emerging labels continue to carve their own paths, the more seasoned brands are capitalizing on established reputations to drive new markets, refine collective visions, and foster creativity. This duality not only enriches the fashion landscape but also reflects the growing diversity in consumer interests. As this week unfolds, the fashion industry will keenly observe how designers engage with consumers, both physically and digitally.

Expect a combination of awe-inspiring runway shows and an intense social media presence, as brands strive to capture eyeballs in this ever-competitive landscape. The coming days will showcase not just new collections but also the resilience and adaptability of the fashion industry in the wake of changing consumer behaviors. As NYFW kicks off, industry insiders will undoubtedly discuss the implications of these trends for the future of fashion.

[blsm-m]

Hello friends! Today we are very excited to present our latest collection to you. Justina x Ruggable It's packed with color, pattern and personality - just my style! Collaborating with Ruggable was a dream come true. I've always believed that color is the ultimate mood enhancer and I'm passionate about infusing it into all aspects of life. With this collection, I wanted to bring that same joy into your home. Not only are these rugs *super* vibrant to look at, but they're also washable, making them incredibly practical, especially in a busy household. UrsaIt brings so much happiness to my living room every day and it's a bold hot pink. Magdalena My dream of having a hot pink rug in my kitchen has finally come true! Fun to watch Ella My bedroom runner Inspiration behind the design: Like most of my designs, I designed this collection for myself. I relied on my own experiences and preferences, and sometimes envisioned different versions of myself at different stages in life. If you share my passion for vibrant colors, intricate patterns and nature-inspired design, I believe this collection will resonate with you too. Each piece in this collection tells its own story.Sonia and Billywas born from my painting. Josephine and UrsaThese works, which stem from my illustration work, are the product of my daughter Ida's love for wildcats. Alice and GeorgiaAn eclectic twist on botanical motifs, the designs have their roots in ancient Egyptian art and are infused with my contemporary kaleidoscopic vibe. Nature is either literally represented or Tarsila's As abstract expressions such as palm leaves and crystals Hiruma. Some pieces were inspired by trips to places like New Mexico and Morocco. Sometimes it's hard to pinpoint the exact source of inspiration, but sometimes designs just come naturally. It's been a lot of fun working with the amazing creative team at Ruggable to turn my vision and art into "mobile" and washable pieces of art. The magic of Mother Nature is subtly expressed throughout the collection, and I believe this is what gives each piece its indescribable magic. Each rug is also named after an artist who has inspired me throughout my life. Can you guess which artist inspired each design? Sonia comes in two colors: Terra & Sage (Top) and Sand and Sea Josephine at Sunrise - Yes, we have Outdoor Rugs Check out this collection! I can't wait to see these rugs in your homes and I hope they bring you and your family as much joy as I felt designing them.